Posts Tagged ‘dostah shilailee’

We got sent a ton of interview questions from a Swedish blogger asking to interview Dostah Shilailee. He answered & sent them back about a month ago. For whatever reason, the blogger refuses to respond to us and decided not to publish the interview. So we published it ourselves 🙂 Enjoy! P.S. we kept all the typos in for authenticity.

What´s the name of your band? Dostah Shilailee

How was the band formed? My host was born, then at some point in its life span I splintered off from him. I am one of three, yet I am not one.

Can you tell about your band? I can…

Where are all band members from?/Who does what in the band? We are originally from the Hudson Valley, New York, USA. Dostah Shilailee is a one entity act, usually just making rhythm and noise with computer programs, keyboards and sound effects.

What was the ambitions of the band when you started? At first, Dostah Shilailee embodied all of the different Sykophunk styles together. But over time the personalities split into separate artists.

Could you explain your music to someone that haven’t heard you? An orgy of emotions and electronics. My label often refers to me as the “experiMental electronic enigma” – that works for me.

Where was your first gig? Chester, NY – it was like Fisher Price, My First Rave. But I recall one chick going to the hospital for dehydration, so I guess it was legit.

Where was the latest gig? Carl’s Tavern in New Haven, Indiana. One of our favorite venues in the area.

Who writes your songs?/Who writes the music who writes lyrics? The world writes the songs. I’m just the vessel through which they get chewed up and puked out.

Who has the best since of humor in the band? Clearly, an artist with a song called “A Narcoleptic on Elm Street” has no sense of humor.

What’s good/bad with the band?/What genre do you feel you are? Everything is both good and bad about Dostah Shilailee – that’s what the name means. What genre my music is depends on the audience. To drunk people in a bar or club, it’s dance music. To hipsters, it’s indie post-electronica. To people who hate me, it’s called techno.

Why did you pick that particular style?/What are your songs about? I don’t pick style. Style picks me. My songs usually symbolize extremes of human emotion and/or the chaotic order of pure randomness. With a little bit of horror and rEvolution thrown in the mix. Because broccoli.

Do you write your own material or mainly covers? Most of my music is original arrangements of borrowed elements. You know, electronic music.

Have you made any albums?/If yes what are they? I have three albums currently available: Long Lost Experiments, Bad Trip In Stereo and Copyright Laws Are For Pussies.

Do you have any clips on YouTube? There are a few videos featuring Dostah Shilailee music on Youtube. There needs to be more. I think the video of Stephen Colbert poppin and lockin to my track is still out there somewhere.

How old are you?/What got you started in music? I was probably born in the mid to late 90’s, but my host is way older 😉 He’s been into music since he was 12. By the time I emerged, he was just getting into techno/industrial/goth music, and ultimately I am the product of all that.

At what age did you start playing? At birth. I was born out of music. Rhythm fucked melody and created a monster!

How old were you guys when you first stood on stage? Early twenties. Before that we always sat on stage.

What year was the band started? The first demo tape with the name Dostah Shilailee on it was recorded in the ancient year of 1996.

Best/worst gig you’ve played? The best gig I ever did was probably New Years with joe DOE and BL8 last year. Those two got shitfaced and freestyled to my crazy beats for a full half hour, which somehow we pulled off awesomely. The worst gig: every one that Sykophunk Productions doesn’t put me on. Fuckers.

What places will you be playing in in the immediate future? We’re actually taking a break from live shows to work on recording new material. After that, all I know is we don’t want to play the same spots we used to. Fort Lame is played out.

Where have you played from then till now? We’ve gone from New York to California and ended up in Indiana. Don’t ask me how that happened.

Witch band is the best you´ve seen? Probably Die Antwoord. Lots of lights and theatrics, great energy and loads of sexual imagery. Rammstein might be a close second on all accounts.

Is it always the same songs live? What is it? It’s it! What is it?

What has been the best/most promising gig so far? Like I said, that New Years show was tits.

Have you had any bigger tours from start to now? Not really touring in the conventional sense, but we have traveled across the US and settled into different scenes, until we realize that it’s wack, then we pick up and move on to a new area. Probably about time to do that again. We’ll find our home one day.

How big crowds do you usually play for? Depends on how good the drink specials are at the venue. Ha ha ha… I laugh because it’s sad.

What are the plans for the rest of the year? Writing, recording – maybe actually working on the Democalypse prequel, finally, again!

Where do you usually play? How do you get psyched up for a gig? What are your goals with your music? We don’t play anywhere right now. I don’t get psyched up for a gig, I get depressed because I know it’s going to suck. My goal is to never play a show again. I’m kidding?

When did you decide to go all in for the music? The second I realized that the music industry was a poker game.

Is it easier to get your inspiration from older bands or from bands more modern? I get more inspiration from different sources, not so much other artists. But in general, music from the 80’s and 90’s probably inspires me most.

What are your sources of inspiration? Video game music, memories, dreams, psychology, philosophy, metaphysics, extremes of human emotion, rEvolution, horror movies and literature, apocalyptic scenarios, tai chi and chai tea.

What’s the first step when making a new song? A random idea that hatches in my brain like an intrusive newborn that must be nurtured or it will die.

How do you feel about the downloading of music instead of buying albums? One of my albums is called “Copyright Laws Are For Pussies” – that about sums it up.

What would be your dreams for the band? We just want to be able to make a comfortable living off of doing what we love to do without compromising our artistic integrity, and get our message out to people who really care in the process. Hey, you said “dream”!

Besides your own music, what genres and bands do you listen to? I like scores and soundtracks, cheesy Halloween albums and polka.

What do you hold most dear? My junk.

What would be your greatest fears for the future? Losing my junk.

When you are on stage, what do you fear most then? Shitting my pants.

Have you been part of any other projects? Dostah Shilailee has been a part of the Democalypse trilogy, Sykophunk Soundtracks, The Stephen Colbert Me-Mix and several online collaborations through Indaba.com.

Have you been in any other bands? My host and/or alter ego(s) have been in many bands/groups, including Triple Vision, Dramatic Effect, Uther, Mother Prick of Misery (oh wait, that was just another one-man act, I think), Domino Effect, Mo City Misfits, etc.

What do you work with outside of the band and the music? Time and money, baby, time and money.

What would you do if there was no music? Invent it.

How important are your fans? On a scale of 1 to 10, they are a W.

What’s the funniest/most memorable thing a fan has done for you? Probably not a fan, but I recall someone on the old Garage Band site told me that I needed to “pray to God for forgiveness for making that song.” Not sure exactly what they meant, but I enjoyed it nonetheless.

How often do you rehearse? Never.

Where do you rehearse? In my head.

Name 2 of your own songs you like at the moment? My own songs are hard to talk about objectively, so I like them based on their titles. My 2 current faves are “I’d Hit Dat” and “Baby’s First Chicken Twat.”

What do you feel is the best live band you’ve seen? I’m having deja lu.

What drives a band that isn’t all that famous and renowned to try to make a living on their music and to keep playing? I can’t speak for anyone else, but personally I am addicted to making music. And I don’t really care to kick the habit.

Do you have any webpages? Indeed. I can be found somewhere on http://sykophunk.com and also on Facebook (https://www.facebook.com/DostahShilailee), Reverb Nation (http://www.reverbnation.com/dostahshilailee) and I think I’m still on Soundclick and Myspace too, but who cares?

Any pearls of wisdom for all other bands out there? Don’t half ass it. If you don’t love making music with every ounce of your being, don’t do it at all. This is a competitive, thankless cut-throat business. Going indie and underground is where it’s at, but you will almost always lose money instead of making it. It’s all a big numbers game – nobody but you and your true diehard fans give a shit about your music.

Describe your show, visually and musically. We usually put all Sykophunk artists on the same show, so visually it looks like a bunch of maniacs jumping around in masks and bloody shirts with heads on sticks. We like theatrics and lights. And blood. Musically, it sounds like a clusterfuck of genres glued together with bass-heavy beats.

How do you view the musicindurty of today? “It’s got a death curse!”

What advice would you like to give other bands? Keep your day job.

What are the biggest obstacles for a band? Money, time, people, bullshit politics of a dying industry… just to name a few.

What is worst with playing the clubs? Dealing with venue owners and drunk people.

Tell us about upcomming gigs and why we should be at them? Is this a trick question? Most people don’t come out to local shows to support the artists – they come out to party.

How would you describe your sound in one sentence. Dostah Shilailee is a chaotic fusion of sounds and concepts electronically manipulated and molded into small doses over banging beats.

What is your favorite crappy instrument? The accordion.

What was one of the most quarrelsome times for you in the band? Every day is a struggle.

Whats your Pre-show ritual? Dwelling on regret in between puking.

Do you have anything to add? Despite my piss poor attitude, all of my music is free, so there is really no reason to not give it a shot. Go to the Sykophunk Bandcamp page and download Dostah Shilailee or any of our artists. Look us up on Facebook & Twitter too – that way you can hit us up and tell us personally how much we suck. We love hate mail. But if you actually like it, we wouldn’t mind hearing that either.

OK, so what can I say? Running your own label & publishing company + being part of several projects and having a day job half of the time – it all gets hectic. Sometimes you take a step back and realize oops, I haven’t updated my blog in months. But now, we’re back (again)! Here’s what’s what:

Our most recent release is the newest in the Mood series. Sort of the opposite of Dark Moods, which we released in 2012. This one is Emotional Moods. Fifteen mellow and mood-altering pieces of music flow through time and float through space, pulling the strings of the heart and pushing the limits of the soul. Through a unique mix of organic and electronic elements, VanBuren takes the listener through a variety of emotions and moods. At once thought-provoking, mystical and sensual, this collection of music stimulates the senses through repeat listens that weave in and out of new age, ambient and chillout soundscapes. Check out the News page on sykophunk.com for the growing list of places online that you can listen to and/or download this album.

Our other recent releases from Dostah Shilailee & BL8 are available on our Bandcamp page. Plus all our older stuff as well. Dive in and enjoy…

So what are we working on next? A joe DOE video mixtape, a solo release from Misfit of Triple Vision, and the Democalypse prequel Happocrisy, for starters. Also, we’re going to let Dostah Shilailee take over the artist2artist interview series and unleash him upon our friends and foes alike. Oh yeah, and Triple Vision will be opening up for some established underground acts and performing live on Outlandish Reality for their first television appearance ever! Keep your third eye open & stay tuned to the rEvolution Underground.

Wow, 2013 has been very good to Sykophunk Productions so far! Triple Vision is doing 4 to 5 shows a month. We’re getting a lot of local Fort Wayne love, and I can’t begin to express how much it is appreciated. We’re doing something special soon as a thank you to our fans. There is so much talent in this city, and we’ve had the privilege lately of jamming and networking with some amazing people. It’s a great scene to be a part of.

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The Sykophunk studio is also back in action, as we lay down demo tracks for a few summer releases. Keep your third eye open for some upcoming collabs and new material from Triple Vision, joe DOE, the elusive Dostah Shilailee, and of course the Democalypse prequel Happocrisy. Plus more live shows – hopefully spreading out regionally towards the end of the summer. I am also continuing composing/sound design work on two huge projects: an animated horror film and a dark post-apocalyptic video game.

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Thanks again to everyone involved in this movement and supporting real underground, truly independent music. The team, the fans, the artists – we love you all. Your energy keeps our momentum going forward. Blessed be.

http://joedoe.bandcamp.com/

The “experimental electronic enigma” of Sykophunk Productions known as Dostah Shilailee is making a comeback… again. This time he returns with a new album, a catalog for licensing, and a piss-poor attitude to ruin it all. In this conversation between his two personas, perhaps JVB can learn more about himself and determine a place for his oldest alter ego.

Joe DOE: You’re releasing new music after an almost two-year-long hiatus. Why were you inactive for so long?

Dostah Shilailee: I always pop in and out of existence. A while back I released an album that went nowhere. Whether that’s due to Sykophunk Productions’ emphasis on you rather than me or just because I suck, that’s up for debate. Either way, knowing nobody would miss me, I decided to ninja vanish while we figured out what direction to take my music in.

JD: By we, you mean you.

DS: And you.

JD: Right… so what did we learn in the past year?

DS: We learned that people suck and the economy’s worse. Nobody wants to pay for music, so if you can’t download the torrent then it’s obviously not worth having. Real art makes terrible ringtones. People are searching Youtube for Rebecca Black so they can hate on her, instead of looking for something they might actually like. Some clichés are actually true, and it takes money to make money. But it seems nearly impossible to cover your costs when releasing an album independently these days, especially if your music is on the experimental side and defies traditional marketing.

JD: Damn, you just about convinced me to not release another album, ever. Any good news for us, or should I just blow my brains out right now?

DS: No, don’t do that, because I’ll be dead too. But yeah, there is some good news. Composing and licensing. Getting music placed in movies, TV shows, video games, commercials – that shit pays big time. Of course, it depends on the company you’re working with and their budget, but overall that is where the revenue stream is for indies right now, not in album sales. It’s hard times for everyone, financially, so even the major movie studios are looking at independent music, because it’s much cheaper for them.

JD: Yeah, I think all of Sykophunk Productions will be focusing on that area more. And yet, even with your negative view on releasing albums, you’re about to put one out.

DS: Sort of. I have a bunch of songs that we can’t make available for licensing, mostly because they contain uncleared samples. It’s fucking stupid, in my opinion. If I take a clip of something and place it in my music, I’m using it as if it were an instrument or a sound in Fruity Loops or whatever, as part of the arrangement of the song. It‘s now part of my art. But that’s not how the law sees it, and I don’t want to get us in trouble. So I’m calling my album Copyright Laws are for Pussies, it’ll be a free download under Creative Commons. People can steal it, remix it, sell it. I don’t give a damn – as long as they’re listening to it and possibly sharing it with others, that’s all I can really ask for.

JD: Ever since you did that Colbert remix through Indaba, you’ve kind of been anti-copyright.

The Colbert Report interview with Dan Zaccagnino, founder of Indaba [link to the video – Dostah’s remix gets Colbert poppin & lockin @ 3:57]

DS: There is a purpose for copyrights, but some of it is bullshit. I register my music with the Copyright Office so that somebody else can’t try to pass it off as their work. It’s just documented proof that I made that music. But if somebody samples a part of one of my songs and incorporates it into one of theirs, I don’t feel like they owe me something for that. My art inspired someone else’s art – that’s awesome! I would feel honored, not cheated.

JD: That actually makes a lot of sense. When did you become so reasonable?

DS: Somewhere in between the time Homo Sapiens first walked the earth and the time you shut the fuck up.

JD: Word. So, are you sticking around for a while this time, or are you just gonna drop another album and disappear again?

DS: Who the hell knows? You’re in the middle of an album right now, plus we have Abandoned coming out next month. We’re only one person, so we’ll see if Sykophunk Productions can afford the time to promote its bastard elder child. I might be taking over for the prequel to Democalypse, because it’s supposed to be more dance-oriented. If that doesn’t pan out, I’ll just move to somewhere in Europe where they still listen to good music.

JD: You sound like Fred Durst right now.

DS: Don’t start with me, Hugo! Seriously, I should kill you for saying that, if not for the aforementioned dilemma of our lives being one in the same.

JD: We are one. Any closing remarks?

DS: Everyone download my new album on April 22, 2011 from sykophunk.com. It will be free because it has to be, and because I want it to be. Stay tuned for other awesome shit too, from joe DOE and JVB. Those guys are alright. Join the rEvolution Underground, or be burned over a basket of living cats! Ghost in a dream, out.

[People who were entertained by this display of my insanity also enjoyed D-O-E interviewing joe DOE]